―The Critic as Reader: Coleridge on the Bible, Shakespeare and Wordsworth
―Narrating the Past and Establishing Her Identity in Harriet Jacobs’s Incidents in the Life of a Slave Girl
―Reconsidering Stagger Lee: A Study of a “Cultural Hero” in the Black Oral Tradition
―Jonathan Swift and the Reform of the English Language: A Study of the Workings of His Satire
―ジェーン・オースティンにおける“propriety”と女性の感情伝達
―Noël Coward’s Amusing Design: Female Decorators, Moral Taste and Theatrical Homes in Design for Living
―Masculinity in Toni Morrison’s Beloved
―Degree and Order in the Forest of Arden
―『ハムレット』におけるオフィーリアのマリア的役割
―Dramatic Representation of “Nothing” in King Lear: The Renaissance Tradition of Scepticism and Shakespeare’s Originality
―『歓楽の家』における「男らしさの危機」
―The Narrator’s Jokes and Their Influence in Miguel Street
―Moby-Dick as Reading Lesson for Democracy
―The Reconciliation of Piety and Intelligence: A Study of Thomas Shepard’s Theological Ideas
―The Pre-Christian Conceptions of the Four Ring-Prow Ships in Beowulf
―Charlotte Brontë and the Gothic Use of Architecture: Jane Eyre and Its Buildings
―David’s Doubt of Self-Creation in David Copperfield
―Sacraments as a Calling in The Power and the Glory
―Struggles of Women and Feminised Man: Against Oppression under Imperialism in Howards End
―Jane’s Intention in Writing Her Autobiography: The Dichotomy between Health and Madness in Jane Eyre
―The South as a Complex Locus in Invisible Man
―Carrie’s Sexuality in Sister Carrie: The Possibility for Progress
―Convention and Reality in Adonais
―The Limitations of a Careless Character: Nick Carraway’s Subjective Narrative
―An Analysis of Techniques of Dramatic Burlesque in Henry Fielding’s Tom Thumb and The Tragedy of Tragedies
―Dickinson’s Two Heavens: Home and Journey Poems
―Kurt Vonnegut’s Breakfast of Champions as a Metafiction : The Two Universes of the Creator and the Creatures
―Killed by the Letter : The Pardoner and the Hermeneutical Debate
―The English Society in Jane Austen’s Novels : Estates and Landlords as the Refrection of Their Society
―Mansfield Park and the Theatre: A Reconsideration of the Theatrical Allusions in Mansfield Park
―Searching for Unity of Being: The Parallel between A Man Young and Old and A Woman Young and Old by W. B. Yeats
―Popular Culture in T.S. Eliot’s “Sweeney Agonistes”
―The Transition of the Cases in the Absolute Participial Construction: The Establishment of the Nominative Absolute in Prescriptive Grammar
―“Unaccommodated Man”：The Image of Humanity in King Lear and The Tempest
―Distored Love in Toni Morrison’s Jazz
―Morris as an Anti-Romantic：His Idea of Nature and His Visual Art
―“Unity-in-Diversity”：A Study of Ralph Ellison’s Cultural Concept